![]() It’s a little too easy to get image takeover using this tool, but with enough practice you’ll surely get the hang of it. Of course, with any new technique it’s probably best used in moderation. Incredible photographer Daniel Araiza has a super helpful video published to help you visualize what the heck is going on here. From virtually any lens no matter how new or old. But, held in front of your camera lens and given the right mix of direct/harsh sunlight plus handy live view – you have on demand, real, in camera flare. Now, this is just a 1″ long and 1″ wide piece of aluminum pipe. ![]() How on earth am I making the flare in these images? I give you – the ring of fire! This is a good thing! It’s really hard to recover from blown contrast in post processing, and flare is often unpredictable and difficult to compose with.īut what if you could make real in camera flare on command with the ability to transform it and shape it into anything you want? The coatings are so incredible that even against the brightest, harshest sunlight they will not flare at all. These days camera lenses are designed so well that they’ll nearly never create a flare. ![]() I quickly decided to add it to my (now literal) bag of tricks along with Prisming, Lens Chimping, my Broken Freelens, Anamorphics, etc). It ended up being an incredibly useful tool in my photography. What you might call trash, but I call the ring of fire. In late 2014 I was given a few pieces of piping. ![]()
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